Anek

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**Review Summary: *Anek***

*Anek* is a politically charged film that brings to light the long-standing issues faced by the North Eastern states of India, a region often neglected both by the government and mainstream society. The film delves into themes of alienation, violence, and the question of Indianness, questioning why people from marginalized regions have to constantly prove their loyalty to the nation. The narrative explores how regional identity, language barriers, and political neglect have shaped the struggles of the North East, leading to insurgencies and demands for independence.

The story follows Aman (Ayushmann Khurrana), an undercover agent sent to the North East to neutralize Tiger Sanga (Loitongbam Dorendra Singh), a militant leader who controls the region. Aman’s mission is to convince Sanga to sign a peace accord. Amid his mission, he encounters Aido (Andrea Kevichusa), a boxer with aspirations to join India’s boxing team, and her father Wangnao (Mipham Otsal), a revolutionary who believes in self-sufficiency over armed resistance. Through his interactions with them, Aman begins to question the motives of his government and the true meaning of peace, setting him on a path that challenges his allegiance to his own agency.

The film makes a powerful political statement, criticizing state violence and the role it plays in radicalizing youth. It also takes a satirical jab at the media’s portrayal of military operations, notably through a line about making a film about a surgical strike. The political discourse is intense, and while the film’s heart beats with a genuine love for the North East, the execution occasionally falters. The dialogue can feel heavy-handed at times, with characters often sounding more like mouthpieces for ideology than natural individuals. Despite this, director Anubhav Sinha’s courage in tackling such sensitive issues cannot be understated.

Visually, *Anek* is a treat, with the North East’s beautiful landscapes captured by cinematographer Ewan Mulligan. The setting itself adds to the authenticity of the film, which is underscored by a strong ensemble cast. Ayushmann Khurrana delivers a standout performance, once again proving his versatility as an actor. He brings sincerity and depth to the role of Aman, a character who evolves from a loyal agent to someone questioning the very system he serves. Manoj Pahwa adds weight to the film as his manipulative handler, and J.D. Chakravarthy’s role as another agency operative adds a layer of intrigue.

Newcomer Andrea Kevichusa impresses with her charming screen presence, and the performances by Loitongbam Dorendra Singh and Mipham Otsal add a layer of realism to the film. Their portrayals feel grounded, as if they are living the experiences their characters represent.

In conclusion, *Anek* is a thought-provoking film that shines a light on the ignored narratives of the North East. While its political message is strong and necessary, the execution may feel a bit preachy at times. Nonetheless, the film’s sincere exploration of identity, politics, and unity, paired with standout performances, makes it a worthwhile watch for those ready to confront uncomfortable truths.