Set in the politically charged ’90s during the peak of the Ram Mandir movement, the film follows Dharmakant Pandey (Sunny Deol), an orthodox Brahmin priest, grappling with his faith and principles as he resists the commercialization of Kashi's sacred ghats. While Pandey staunchly opposes exploiting traditions for profit, others, like Ravi Kishan’s pragmatic Brahmin character, embrace it, exploiting foreign tourists’ fascination with Indian culture. Pandey’s moral struggle deepens as he reluctantly adapts to financial pressures, eventually teaching Sanskrit to a French guest but feeling spiritually compromised.
Other storylines explore the broader societal shifts: a barber becoming a spiritual guru for profit, and patrons of a tea house lamenting the erosion of secularism and unity. The film concludes with Pandey and his wife restoring a Shivling in their home, symbolizing faith’s resilience, though leaving open-ended whether personal redemption can address larger societal decay.
While Sunny Deol’s restrained performance as a conflicted teacher is commendable, and Sakshi Tanwar and Ravi Kishan deliver reliable portrayals, the film falters with a disjointed narrative. Its ambition to address multiple sensitive themes—commercialization of culture, secularism, and societal changes—distracts from Pandey’s compelling personal journey. The censorship-imposed cuts and fragmented screenplay dilute its message, leaving an uneven impact despite its timely and thought-provoking premise.
