Crakk
Crakk
Crakk is an action-heavy film that follows Siddhu (Vidyut Jammwal), a Mumbai man passionate about extreme sports, who aspires to compete in the dangerous Maidaan tournament in Europe. When his brother Nihal (Ankit Mohan) dies at the event, Siddhu initially doesn’t seek revenge, believing his brother understood the risks. However, upon learning the truth about his brother’s death, Siddhu goes on a quest for justice.
Unfortunately, the film gets tangled in convoluted subplots. There’s a father-son conflict involving Dev (Arjun Rampal), the tournament’s reigning champion, who wants to take control of his father’s (Bijay Anand) empire. There's also a confusing thread about plutonium smuggling, with Polish police inspector Patricia (Amy Jackson) investigating potential terrorist connections to Maidaan. Nora Fatehi plays Alia, an influencer who aids Siddhu in his journey. Throughout the film, Siddhu’s memories of his brother appear at key moments, adding to the emotional weight of his quest.
The film suffers from weak writing, with a plot that feels disjointed and sometimes random. There are many unanswered questions, such as why extreme sports enthusiasts are willing to risk death in tournaments and why the authorities aren’t intervening in these dangerous, live-streamed events. The film also struggles with pacing, with action sequences often separated by slow, uneventful scenes. The film’s sound design and background score also fall flat, detracting from the overall intensity.
Vidyut Jammwal delivers strong action performances, with impressive stunt work, but falters in the emotional scenes, which are not his strength. Arjun Rampal, despite his intimidating physique, is unable to make his megalomaniac character compelling due to a poorly written role. Ankit Mohan impresses in his brief but impactful role as the older brother.
If you're an action junkie, Crakk might still entertain with its high-octane sequences, but for those seeking a coherent story and plot, the film misses the mark. It’s an action film that struggles to balance its stunts with meaningful storytelling.
Richard Boyd