### G. Aravindan: A Trailblazer of Parallel Cinema
**Govindan Aravindan** (23 January 1935 – 15 March 1991) was a multi-faceted Indian artist and filmmaker who revolutionized Malayalam cinema with his unconventional storytelling. A pioneer of **parallel cinema**, he was also a **cartoonist**, **musician**, **painter**, and **documentary filmmaker**, known for consistently experimenting with cinematic forms. His contributions earned him the **Padma Shri** in 1990.
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### Early Life and Career
Aravindan was the son of **M. N. Govindan Nair**, a comedy writer. He studied at **University College, Trivandrum**, and began his career as a cartoonist for *Mathrubhumi*. His iconic cartoon series, *Cheriya Manushyarum Valiya Lokavum* (*Small Men and the Big World*), ran in the early 1960s, blending satire with socio-political commentary. This creative exploration laid the foundation for his distinct cinematic voice.
Aravindan was deeply involved in theatre and music, co-founding the theatre groups **Navarangam** and **Sopanam**. Collaborations with luminaries like **Kavalam Narayana Panicker** led to acclaimed plays such as *Kaali* and *Avanavan Kadamba*.
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### Cinematic Contributions
Aravindan's films defied traditional narrative styles, embracing realism, mythology, and abstract themes. Each work showcased his ability to explore humanity, spirituality, and society from unique perspectives.
#### **Notable Films**
1. **Uttarayanam (1974)**:
- Inspired by his cartoon series, this debut film critiques opportunism during the Indian Independence struggle. It won five **Kerala State Film Awards** and critical acclaim for its bold narrative.
2. **Kanchana Sita (1977)**:
- A feminist reinterpretation of the *Ramayana*, the film humanizes mythological characters and weaves Samkhya-Yoga philosophy. Shot with the tribal **Rama Chenchu** people, it sparked controversy but is regarded as a cornerstone of independent filmmaking.
3. **Thampu (1978)**:
- A poignant black-and-white film documenting the hardships of a traveling circus troupe. Its documentary-like realism won Aravindan Best Director awards at both the **National Film Awards** and **Kerala State Film Awards**.
4. **Kummatty (1979)**:
- A folklore-inspired story about a magical Pied Piper-like figure, *Kummatty* melds myth and reality, captivating audiences with its enchanting visuals.
5. **Esthappan (1979)**:
- A blend of Biblical allegory and realism, the film explores the life and mystique of its titular character, reflecting on societal and spiritual themes.
6. **Pokkuveyil (1981)**:
- A visual symphony crafted without a script, the film's sequences were composed to flautist **Hariprasad Chaurasia's** musical notations. It portrays the emotional collapse of a young artist.
7. **Chidambaram (1985)**:
- Based on **C. V. Sreeraman's** short story, this film examines guilt, redemption, and human relationships. It marked a departure for Aravindan with a star-studded cast, including **Bharath Gopi** and **Smita Patil**.
8. **Oridathu (1986)**:
- Set in a village grappling with the arrival of electricity, the film juxtaposes humor and intensity, exploring themes of progress and simplicity.
9. **Vasthuhara (1991)**:
- His final film, based on a story by **C. V. Sreeraman**, delves into the lives of refugees in Bengal. Starring **Mohanlal** and **Neena Gupta**, it was released posthumously.
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### Legacy
Aravindan's work transcended conventional storytelling, with films that tackled myth, realism, and abstraction. He also contributed to music, composing for films such as *Piravi* and *Ore Thooval Pakshikal*.
Despite passing away prematurely at the age of 56, his influence endures. The **Aravindan Puraskaram**, awarded annually by the Kerala Chalachitra Film Society, honors the best debutant director in Indian cinema, ensuring his legacy inspires future generations.
