Janhit Mein Jaari
Janhit Mein Jaari
**Review Summary: *Manokamna***
*Manokamna* is a lighthearted film that blends social commentary with comedy, focusing on the story of a middle-class woman, Manokamna (Nushrratt Bharuccha), who becomes a saleswoman for a condom company and uses her innovative ideas to turn the company's fortunes around. While navigating the challenges of her career, she falls in love with a theatre artist (Anud Singh Dhaka), marries him, and faces the traditional expectations of her conservative in-laws. The film explores themes of sexual safety, family dynamics, and women's rights, particularly in the context of condom usage.
The first half of the film is breezy and engaging, with witty dialogues and relatable middle-class situations. Manokamna’s unique personality, including her humorous antics, adds charm to the narrative. The film does a good job addressing the complexities of marketing condoms, highlighting the health and safety aspects rather than just the pleasure angle. However, as the film progresses, it becomes somewhat preachy, repeatedly stressing the importance of condom usage, which feels a bit overdone by the end.
Nushrratt Bharuccha delivers a strong performance, fully committed to her character and the film's cause of promoting sexual safety. Her portrayal of a woman navigating societal and familial challenges is both relatable and empowering. The supporting cast, including Vijay Raaz as the conservative father-in-law and Brijendra Kala as the kind employer, offer solid performances. Anud Singh Dhaka shines as the loving but imperfect husband, while Paritosh Tripathi provides comic relief with his portrayal of the childhood friend who secretly loves Manokamna.
The film benefits from its witty dialogue, well-captured setting in Chanderi, Madhya Pradesh, and strong performances from the ensemble cast. Despite some preachiness, *Manokamna* offers a fresh and engaging take on the importance of sexual safety, making it a worthwhile watch for those interested in socially relevant themes with a comedic twist.
Richard Boyd