Filmy Gallery

*Maja Ma* (2022) is a poignant yet uneven exploration of sexuality, identity, and societal expectations, centered around Pallavi (Madhuri Dixit), a middle-aged Gujarati housewife who is accidentally outed as a lesbian. The revelation disrupts her family's dynamic, with her son Tejas (Ritwik Bhowmik) feeling humiliated, her daughter Tara (Srishti Shrivastava) supporting her, and her husband Manohar (Gajraj Rao) struggling with his emasculated sense of manhood. The tension escalates when Tejas’ potential in-laws (Rajit Kapur and Sheeba Chadha) threaten to call off his engagement upon learning of Pallavi's sexual identity.

The film juxtaposes middle-class conservatism with the emerging "woke" mentality, exploring complex themes like societal expectations, individual freedom, and the concept of love. At the heart of the story is the conflict between Pallavi's traditional role as a wife and mother and her suppressed desire to live as her true self. Through this emotional journey, the film highlights the need for acceptance and the importance of companionship in relationships, transcending physical attraction to include emotional connection.

While the film tackles important issues, such as LGBTQ+ rights and the complexities of identity, its tone is inconsistent. Pallavi's children represent opposing views: Tejas wants to "cure" his mother, while Tara urges her to live authentically, no matter the societal consequences. The film could have delved deeper into these contrasting perspectives, but instead, it occasionally veers into melodrama, weakening its emotional impact.

Madhuri Dixit shines in her role, embodying Pallavi with grace, depth, and authenticity. Her portrayal of a woman torn between family duties and her true identity is the film’s emotional core, elevating its otherwise uneven script. Her chemistry with Simone Singh, playing Pallavi's childhood friend, is one of the film's most refreshing aspects, offering a much-needed emotional respite. Ritwik Bhowmik as Tejas is convincing, capturing his character's emotional conflict and selfishness, while Gajraj Rao’s portrayal of the bewildered husband adds a layer of charm, though it feels somewhat repetitive.

Supporting characters like Rajit Kapur and Sheeba Chadha do well with their roles, although they are often reduced to caricatures. Barkha Singh’s portrayal of Tejas’ fiancée is earnest but limited by the lack of depth in her character.

*Maja Ma* presents an important message about the need for empathy, self-discovery, and societal acceptance, but its execution falters at times due to melodramatic moments and uneven character arcs. Despite these flaws, Madhuri Dixit's commanding performance anchors the film, making it a watchable exploration of sensitive issues. With a more nuanced approach, *Maja Ma* could have been a more impactful statement, but its heart remains in the right place.