Bioscopewala
Bioscopewala
*Kabuliwala*, directed by Deb Medhekar, is a modern reimagining of Rabindranath Tagore's beloved story, shifting its setting and themes to reflect contemporary issues. In this version, the Pathan from Kabul, Rehmat Khan (played by Danny Denzongpa), flees Afghanistan to escape the oppressive rule of the Taliban. Instead of being a dry fruit seller, Rehmat becomes a bioscopewala, showcasing moving images to earn a living. He befriends a young girl, Minnie Basu, who reminds him of his daughter left behind in Kabul. Circumstances force Rehmat to kill a man, leading to his imprisonment, where memories of Minnie and his daughter keep him alive.
The film explores themes of loss, memory, and the enduring human connections that transcend cultural and political boundaries. As Minnie grows up, she investigates Rehmat's past and uncovers both his story and her own unresolved relationship with her estranged father. The film, set in 1990s Kolkata and shot in Ladakh as a stand-in for Afghanistan, uses evocative cinematography by Rafey Mehmood to bring these settings to life. The art direction is exceptional, highlighting the beauty of a world torn apart by religious conflict.
Danny Denzongpa delivers a masterful performance as Rehmat Khan, blending strength and vulnerability. Brijendra Kala’s portrayal of Bhola, the silent family retainer, is equally impressive, showing that some actors can express more through their eyes than words. Geetanjali Thapa as Minnie offers a nuanced performance, conveying deep emotion through her silences and tears. Adil Hussain, though limited in screen time, adds depth to the film, portraying a distant father whose neglect has left a scar on his daughter.
While Medhekar’s adaptation deviates from Tagore’s original story by adding layers to Minnie’s family dynamics and her evolving relationship with her father’s past, it enhances the narrative rather than detracts from it. The film’s exploration of forgiveness and the human need for connection feels deeply resonant.
*Kabuliwala* is a heartfelt modern take on a classic, offering both emotional depth and cultural relevance. It’s a film that rewards viewers willing to embrace a fresh perspective on a timeless tale.
Richard Boyd